As I've once said, I'm a good Boy Scout and I try to be prepared for any situation. I have a whole closet of horns I never play, but in the eventuality I'll need one, I'll have it at my fingertips. Yes, I'm a little delusional.
One eventuality I have never really thought of but need to face is the eventuality that someday I may have to audition for something. It could happen.
During my Hot Dog days, I had a whole library of horn literature under my fingertips, ready to go at a moment's notice. Nowadays, not so much. So lately my thoughts have gone to updating my skills and learning (or re-learning) some solo literature.
Now, me being the former Hot Dog, I can't just pick up a Mozart concerto and be happy with it. Oh no. I need to stretch to the far boundaries of my limits and play the hardest, flashiest piece I can pull off with confidence and, more importantly, consistency. Another thing to consider is that horn solo literature seems to have evolved a little since my Hot Dog days. Not a lot, but enough to make me sweat a little. So I need to find something with a little more flash and pizazz than the average Mozart concerto.
Don't get me wrong -- I could play a mean Mozart #2 in my day.
So, where to look? My heart is with Charles Fernandez's "Scherzo," but it remains just a little out of my reach. Sad. I'm liking "The Glass Bead Game," but I find the solo part a little fragmented for my taste. And what about the John Williams Concerto? Have you heard it? Definitely out of my reach right now.
I could also take a step backwards in my history. I used to kill on "Hunter's Moon," but it seems now a little too easy. Then there's "En Foret," which is a kickin' piece and I can play the crap out of it -- or I will be able to with a little practice.
And then there's Richard Strauss. I love Strauss (as does almost any horn player). I played his 1st Horn Concerto a lot, both in High School AND in College. The 3rd movement won me 3rd place in the New Orleans Symphony Youth Auditions back in the 12th Grade, and I did the whole concerto for one of my recitals in college. But what about the 2nd Horn Concerto?
Back in high school I was blossoming as a Hot Dog and thought I could take on the world. Also, I had no social life, so I had plenty of time to practice. I took on the first movement of the 2nd Horn Concerto and pulled it off quite nicely. In college I worked on the 3rd movement but never used it for anything. Could it be time to give it another try? With some work I can definitely pull it off. The key is consistency. Can I pull it off every time I play it? That's what remains to be seen.
I have no auditions on the horizon, and none likely. But I need to be prepared for that eventuality. Mr. Strauss, for now you are my new friend. Mr. Fernandez, this ain't over.
Monday, March 5, 2012
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